Saturday, September 18, 2010

The Formation of the New York Beat Scene


As a freshman at Columbia, Lucien Carr was recognized as an exceptional student with a quick, roving mind. A fellow student from Lionel Trilling’s humanities class described him as “stunningly brilliant…. It seemed as if he and Trilling were having a private conversation.”[10]
It was also at Columbia that Carr befriended Allen Ginsberg in the Union Theological Seminary dormitory on 122nd street (an overflow residence for Columbia), when Ginsberg knocked on the door to find out who was playing a recording of a Brahms trio.[7] Soon after, a young woman Carr had befriended, Edie Parker, introduced Carr to her boyfriend, Jack Kerouac, then twenty-two and nearing the end of his short career as a sailor. Carr, in turn, introduced Ginsberg and Kerouac to one another[11] – and both of them to his older friend with more first-hand experience at decadence: William Burroughs. The core of the New York Beat scene had formed, with Carr at the center. As Ginsberg put it, “Lou was the glue.”[12]